Sunday, February 28, 2010

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The danger of the mystification of elearning

branches
Sometimes we can not see the forest. The technology is masking the true meaning of learning, but I fear that this is a debate that has been and will be present for a long time here.

I find that focusing the debate on the relationship between technology and learning conceal the real tragedy of elearning colleges and business schools do not teach this process to work.

In my case, I come from the world of socio-cultural and social education have had the experience of this process to work in person. We encerrábamos with groups of technicians and / or volunteers of different subjects and we analyzed our practice to improve. This conflicted with the structures where sometimes the technicians should carry out their work but managed a professional commitment to continuous improvement of their practice.

When technology began to arrive we saw the impact on collective processes of knowledge would be powerful, but would have to adapt to new conditions. One of the most important was the breaking synchrony / asynchrony caused us problems and complementary advantages. But we weakened further aspect is that with this method is losing much of the "compromise" the technician led perhaps by the urgencies of their own work system in which we operate (there who believes that lack of commitment is a sign of our time.) We have seen reaching

waves of professionals, technicians and companies and institutions to "fashion." Each has turned to the tools I knew to do and are there many types of elearning (which may one day inventory) depending on experience and experience of each. This sector

something has changed, of course, in the technology will continue. But you have to work and methodological issues in this key will be good practice, the work of all the professional reflection and exchange of ideas and experiences.

But I warn you with fashion is another danger: mystification of elearning and the predominance of a vision of elearning intentionally masked and hidden from others.

Sunday, February 21, 2010

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What is employability?

talked about when we refer employability:

- The potential of certain individual (professional profile) to be requested and desired by the company.

- A specific individual's ability to obtain the maximum return on your profile.

In any case, the individual must work on their employability and it has to keep in mind: to know himself, formed and sold. Any of these three factors without the other two involving employability lame, defective item.

The benefit of working their employability to keep its options in a highly competitive job market and improve their professional setting and its promotion and development options in the labor market.

The worker can not sit still at any time because the market moves and he has to move with him. For it helps to have a PERSONAL PLAN FOR EMPLOYABILITY where a record of your professional and personal development.

But the company also benefits, of course, because workers who have the productividadn jejoran.

The company also has to work that employability, especially with the training (considered as the main character employability) but also:

- Promoting participatory work styles, autonomy, creativity, initiative, etc.

- Motivating the worker, how?, Well, from casual to reward sound supervision, enrichment of tasks, delegation progressive, etc.

- Providing internal relations, teamwork. Enhancing employability

means to become a professional with a plan of continuous improvement. The professional must acquire essentially a large capacity for learning new technologies and new working procedures.

All people of working age have a level employability. Depending on the characteristics of this level will have more or fewer opportunities to access jobs that improve our position and are more suitable for our job prospects.

Training is the main driver of improved levels of employability. In Disclosure Dynamics have other tools that allow you refloexionar on aspects that can and must improve to be more competitive in the labor market

Tuesday, February 16, 2010

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anthropologist and Technology

In the discussion of the role of professionals in the company often very critical of my profession, anthropology. Some part of the theory of ignorance the office of the anthropologist by business managers. Firstly there is an abysmal distance between academia and the corporate world, including programs of study of anthropology and skills needed for business management. Even being very explicit in many cases detected there as an overvaluation of the academic and contempt for the work in enterprises. That is the starting point of my reflection.

know so many things that ultimately do nothing. Training for teachers there, investigations are not made from the companies and that cost money and time and analysis of social behavior we left to psychologists and marketing or quality management engineers for example.

The problem, in my opinion, not that we are a big unknown to other professionals, but we have not been able to generate a space, its own discourse with which to address certain processes taking place within companies .

For example, quality procedures, risk prevention, the implementation of equality plans, health and safety at work for example, are areas for social science professionals, but of course, an anthropologist, which should Seating is making academic life or from an Amazonian tribe doing ethnography.

Wednesday, February 10, 2010

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The mystery behind the melodies of Mario Strikers: Charged Football



In Mario Strikers: Charged Football for Wii, each character has its own melody. Even those secundones, like Birdo and Bones. These melodies are not made at random and each has its own base. Although of course, the base is not the characters. The melodies are not naaaada to see. Man, stick a bit, of course.

World Melodies

And it turns out that some songs are based in countries around the world. From the Jamaican accents Petey Piranha Luigi English flamenco. Here are characters who have stolen the music typical of each country.



Luigi, the Don Juan English and flamenco touches. It is without doubt one of the most bizarre game tunes. Much more than that of Daisy, which is saying.



Wario and his Russian polka. Can you ask for more? Well ... Yes! Waluigi The country music!



That's right. A Waluigi is doing the music from the swamps of Southern California.


silo
Almost nothing compared to the fact that Petey Piranha baby demigod and the roots of Bob Marley. Hopefully, this plant will not get to smoke more ... plants.



Well, the music that would stick perfectly in Aladdin ... But not as much as the topic for Diddy Kong!

others and are a bit more difficult to place. The teen pop Daisy would stick, perhaps, with England or France. Peach techno music for the United States. And the melody of Yoshi ... ¿Parody of the Canadian anthem?

But that's not all. There are other characters, not based on any special music of any country, merely a parody ... Topics very well known!




What song is raised the issue of Toad? I give you a hint ... It is Queen! And no. It is We are the Campions ... It's Another one bites the dust! Go search on youtube, look for them.

But if we did not have enough with contemporary music parody, is that the androgynous Birdo draws its theme of Mozart's Turkish March. Or so it seems.



What you seem to be drawn to the melodies of other Mario games? Because only one does: Boo! Taking its theme from the Haunted Mansion Carousel of Super Mario 64.



And finally highlight the theme of the new American rock pop diva: Peach!

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Poem

WALKING Walking, walking. Let me hear

every grain of sand that I pressed. Walking

. Let
behind horses,
I want to be late
(walking, walking)
give my soul to every grain of land
I'm rubbing.

Walking, walking.
How sweet entry in my field,
immense night that you fall! Walking

.
My heart is a haven;
what I'm already waiting
(walking, walking)
and my foot looks, warm,
heart I will kiss.

Walking, walking.
I want to see the faithful of the road crying
am leaving!

(Juan Ramón Jiménez)

Friday, February 5, 2010

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company, individual and elearning

The development of elearning will be a dialectical relationship between the technology and the didactic-pedagogic. This emotional relationship must also place it in a context where development is specializing in these parts: the context of business, training of workers through the use of collaborative learning that until now has been the "natural" development. I particularly interested in processes arising from the use or application of technology in social processes, but also the reverse: how social contexts allow or stop the technological development.
I think this can and should be a reflection for the year 2010. Begin to understand the relationships between technology and individual / society and value in this context the learning process.

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Jimenez JR Juan Ramon Jimenez

Find some errors in the biography of the Andalusian writer:

Juan Ramón Jiménez was born in Barbate (Cádiz) in 1881. Famous poet, was awarded the Nobel Prize for Literature in 1965, while he was in exile.

His work had great influence, especially poetic, but it is also well known for his work in prose and Platero I (1917), which describes in a poetic tone, the life of a donkey. Juan Ramón Jiménez

died in exile in San Juan , in 1970.

Thursday, February 4, 2010

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... The water washes the ivy;
dark green water breaks;
lava stone water ...
And in my burning heart,
rain, rain gently

Be the horizon sad
does the landscape no longer exists?;
one day rose
persists in pale western ...
Rain down gently.

My face falls into my hand
Ni a woman or a brother!
my youth pass in vain!
- My hand leaves my face ... -
Rain down gently!

Late rains, late, lamented?
that although there was a dawning sun
not get my time
bright and flourishing!
raining, gently weeps!
(Juan Ramón Jiménez)

Wednesday, February 3, 2010

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autumn rain was playing my flute



I was playing my flute
along the shore
;
and
bank was a trail of yellow daisies.


crystal field after the shaking of the breeze to listen better

water stopped. Notes

notes come and go, fragrant evening

lyric went, to the beat of my music,
gilding his fantasies,

and flying around me,
in water and in the breeze, a swarm
double
yellow butterflies. The slope was

honey, gold
on the vine, gold
vague mild satin jaral
of snowy flowers;

wherever Clear
stream hits the river, half opened
splendors of a sunset over the water
evening ... My flute

sunny
crying along the shore
left behind a trail of yellow daisies
...
( Juan Ramón Jiménez)